4 August 2020

Microscope Actual Play: A Watery Grave”, Part 2

This is a continuation of the previous post documenting our play of Microscope. You can find Part 1 here. To recap, the big picture of this history was that humans leave the land and build a civilisation underwater. It opens with the Atlanteans expanding from underwater to the land, and ends with humanity becoming extinct underwater.

Photo by Matt Hardy on Unsplash

The Second Focus: Star-Crossed Romances

This was Ys turn as the Lens, and he proposed the second Focus to be on star-crossed romances. This played very nicely into the existing dualities in the history, and opened the way for more dualities to be introduced. It also fit in nicely with one of the Yes” items in the palette, Romance”, which was definitely A’s cup of tea.

On reflection, this Focus opened up a lot more possibilities for the types of history and stories that would emerge in this world. Rather than being too focused on big conflicts and ideas, this Focus allowed the history to be sliced” a different way, providing a cross-section of the world that revealed more about the people in them.

Event: Land-Dwelling Atlantean Leader Seeks Independence from Atlantic Throne

Y introduced a new event within the period when the Atlanteans expanded onto land and began to take over. As they developed on the land, the land-dwelling Atlanteans began to suspect that they would do better without submitting to a distant throne, far away geographically but also, increasingly so, culturally. As a result, the leader of the land-dwelling Atlanteans, Muffy, seeks independence from the Atlantic throne.

It bears noting that a very hard part about these kinds of games, including more usual role-playing games, is coming up with good names for characters. More often than not, a big stumbling block is coming up with suitable names. I would recommend having a random name generator or some other list of names that can be used at the drop of a hat to help move things along. As you will no doubt see, some of our names were randomly plucked out of thin air.

Scene: Muffy’s Daughter Meets with the Son of the Atlantean King

Within that newly-declared event, Y then proposed a scene to answer the question, What would the daughter of Muffy and the son of the Atlantean King do about their romance given the political situation?” Muffy’s daughter was named Fiona, and the son of the Atlantean King was named Shrek.

The following characters were identified:

  1. Shrek
  2. Muffy

and the remaining two players took on the roles of the advisers to Shrek and Muffy.

The scene was played out in a cavern near to the coast, a clandestine meeting for two lovers on either side of the divide. Fiona wanted Shrek to declare his love for her and to remain with her, but Shrek was growing into his own as the son of a king. He knew that his father would only approve of their love if she would renounce her father. Fiona was distraught that Shrek would force her to choose, but Shrek was insistent. Fiona’s adviser, her old nurse, told her to follow her heart, torn between her duty to Muffy (to whom she had promised that she would report the outcome of the meeting) and her love for Fiona. Shrek’s adviser was more cunning, knowing the realpolitik that drove the Atlantean King. Shrek did not budge, and Fiona declared the relationship broken.

End scene.

Event: Scientist Falls in Love with Atlantean Specimen

YH went next and moved us into a later period, when human beings discovered and developed the technology that would enable them to expand underwater. Some part of that discovery (or perhaps, in some sense, rediscovery) had been made possible by the capture of a live Atlantean that scientists could observe. He was imprisoned in one of the laboratories maintained for aquatic research. A researcher in that lab, however, began to feel sorry for the imprisoned Atlantean. Slowly, but surely, her feelings grew deeper and deeper, as the Atlantean began sharing more of himself and the civilisation that he was a part of.

We never figured out what happened to these two, whether their love triumphed or whether the illicit romance was uncovered and swiftly cut off. One more romance lost to the history books, perhaps.

Scene: An Anti-GenMod Tries to Free Her Pro-GenMod Boyfriend

A moved the game forward in time again to the period of conflict between the Anti-GenMod and Pro-GenMod factions. This was during the time of the Aquarium, where the Anti-GenMods had built a dome to surround the Pro-GenMods’ primary laboratory, and had moved most of the Pro-GenMods into that reservation.

Luke was a pro-GenMod youth stuck inside the dome, who had a lover, Lystra, on the outside. They were separated when the Anti-GenMods forced Luke to live in the Aquarium. A wanted to know how they got out of the Dome.

I played Lystra, while A played Luke. YH was Daniel, secretly in love with Lystra, who was also a member of the army and had brought equipment to cut through the weaker parts of the dome. Y was Luke’s friend, Nemo, but secretly a spy for the Anti-GenMods. He was genetically modified, but by birth, and hated what he considered a mutation and an aberration.

The scene opened with Lystra and Daniel digging a tunnel through the stone and the dome to make an opening. Luke managed to find them, but just as he was about to leave, Nemo drew a weapon and pointed it at Lystra, thinking that Luke’s love for her would prevent him from leaving. Little did he know that Luke was just using Lystra, and, without batting an eyelid, he fled through the tunnel, swimming away with his tail. Nemo tried to fire at Luke, and aimed at the ceiling of the tunnel, but one misplaced shot struck a structural weakness in the tunnel. With a rumble and a gut-wrenching crash, the tunnel collapsed upon them all, killing them. But the collapsed tunnel also resulted in a massive hole opened in the side of the dome. Thus ended the Aquarium and the brief period of separation.

End scene.

Event: A Love Fulfilled?

Knowing that the romance between Shrek and Fiona was short-lived and unconsummated, I looked forward in history and zoomed in on the period when the human beings had waged a war against the Atlanteans, leaving it questionable whether any Atlanteans had survived. I observed that the Atlantean royal lineage was very well-preserved, and that a direct descendant of Shrek was a member of the royal family and still alive after the war. In the aftermath of the war, a descendant of Fiona, now a human being after the years of separation of the two groups, found this descendant of Shrek. They fell in love, fulfilling the love that came before them all those years ago.


As I was sitting to the right of the Lens, I observed that a theme that had emerged with particular force with the focus on star-crossed lovers was separation between civilisations, races, and people. To bring this out a bit further, I proposed a period, after the Atlanteans had expanded into the land, where a strict separation arose between the land-dwelling and water-dwelling Atlanteans. While this sundered the unity of the people, it also provided the basis for a growth that may not have been possible otherwise.


Thus ended our two rounds of play of Microscope in this watery world. All of us had a really good experience playing this for the first time. I had a number of takeaways from this session, primary among which were:

  1. Microscope was much less a traditional game and more like improv, where people had to learn to say Yes” and play with whatever elements came up (thanks to A for this insight).
  2. Some tools that would be helpful are things like random name generators that could ease the process of improvising scenes and events.
  3. A variety of focuses, from abstract to concrete, impersonal to personal, gave a lot more texture to the history than would otherwise have been possible.
  4. Some direction may be needed for the roleplaying segments in the Scenes depending on the group. Although this is a GM-less game, some prompter may be useful in certain group settings.

I look forward to playing the next session of Microscope one day. As Matt Colville once suggested, perhaps it could be used to develop the history of a civilisation that forms the background of a West Marches campaign. I’d like to get a group of DMs together to build a world through Microscope and see how that goes.

Microscope Actual Play Record A Watery Grave

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